More than twenty years ago, writing about Roy Foster’s Modern Ireland, Colm Tóibín recalled what it was like to study history in Ireland in the 1970s—to be on the cusp of the revisionist wave, questioning all the old narratives. “Imagine if Irish history were pure fiction,” he wrote, “how free and happy we could be! It seemed at that time a most subversive idea, a new way of killing your father, starting from scratch, creating a new self.” The burden of having relatives has been a constant theme of Tóibín’s stories, essays, and reviews: “A Priest in the Family,” “How to Be a Wife,” “The Brother Problem,” “The Importance of Aunts,” “Mothers and Sons,” and, for equality’s sake, both “New Ways to Kill Your Mother” and “New Ways to Kill Your Father.” And these are just some of the titles. The desire to start from scratch, to worm (or to smash, but mostly to worm) your way out from under the yoke of dull, unavailable, or tyrannical parents figures in most of his fiction. (more…)